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"In this book, John K. Young presents the first book-length application of editorial theory to African American literature. Focusing on the manuscripts, drafts, book covers, colophons, and advertisements that trace book production, Young expands upon the concept of socialized authorship and demonstrates how the study of publishing history and practice and African American literary criticism enrich each other."
The first book to reassess Ralph Ellison after his death and the posthumous publication of Juneteenth, his second novel, Jazz Country: Ralph Ellison in America explores Ellison's writings and views on American culture through the lens of jazz music.
The past has long fingers into the present, but they are not just the fingers of fact. How we remember the past is at least as important as the objective facts of that past. The memories used by a people to define itself have to be understood not just as (sometimes) bad history but also as historical artifacts themselves. Texas’ pasts are examined in this groundbreaking volume, featuring chapters by a wide range of scholars.
Chapter 6: "Juneteenth: Emancipation and Memory"
This volume of The New Encyclopedia of Southern Culture addresses the cultural, social, and intellectual terrain of myth, manners, and historical memory in the American South. Evaluating how a distinct southern identity has been created, recreated, and performed through memories that blur the line between fact and fiction, this volume paints a broad, multihued picture of the region seen through the lenses of belief and cultural practice. The 95 entries here represent a substantial revision and expansion of the material on historical memory and manners in the original edition. They address such matters as myths and memories surrounding the Old South and the Civil War; stereotypes and traditions related to the body, sexuality, gender, and family (such as debutante balls and beauty pageants); institutions and places associated with historical memory (such as cemeteries, monuments, and museums); and specific subjects and objects of myths, including the Confederate flag and Graceland. Together, they offer a compelling portrait of the "southern way of life" as it has been imagined, lived, and contested.
An important new collection of original essays that examine how Ellison's landmark novel, Invisible Man (1952), addresses the social, cultural, political, economic, and racial contradictions of America. Commenting on the significance of Mark Twain's writings, Ralph Ellison wrote that "a novel could be fashioned as a raft of hope, perception and entertainment that might help keep us afloat as we tried to negotiate the snags and whirlpools that mark our nation's vacillating course toward and away from the democratic ideal." Ellison believed it was the contradiction between America's "noble ideals and the actualities of our conduct" that inspired the most profound literature -- "the American novel at its best." Drawing from the fields of literature, politics, law, and history, the contributors make visible the political and ethical terms of Invisible Man, while also illuminating Ellison's understanding of democracy and art. Ellison hoped that his novel, by providing a tragicomic look at American ideals and mores, would make better citizens of his readers. The contributors also explain Ellison's distinctive views on the political tasks and responsibilities of the novelist, an especially relevant topic as contemporary writers continue to confront the American incongruity between democratic faith and practice. Ralph Ellison and the Raft of Hope uniquely demonstrates why Invisible Man stands as a premier literary meditation on American democracy.
With characteristic originality and insight, Trudier Harris-Lopez offers a new and challenging approach to the work of African American writers in these twelve previously unpublished essays. Collectively, the essays show the vibrancy of African American literary creation across several decades of the twentieth century. But Harris-Lopez's readings of the various texts deliberately diverge from traditional ways of viewing traditional topics. South of Tradition focuses not only on well-known writers such as Zora Neale Hurston, Ralph Ellison, James Baldwin, and Richard Wright, but also on up-and-coming writers such as Randall Kenan and less-known writers such as Brent Wade and Henry Dumas. Harris-Lopez addresses themes of sexual and racial identity, reconceptualizations of and transcendence of Christianity, analyses of African American folk and cultural traditions, and issues of racial justice. Many of her subjects argue that geography shapes identity, whether that geography is the European territory many blacks escaped to from the oppressive South, or the South itself, where generations of African Americans have had to come to grips with their relationship to the land and its history. For Harris-Lopez, "south of tradition" refers both to geography and to readings of texts that are not in keeping with expected responses to the works. She explains her point of departure for the essays as "a slant, an angle, or a jolt below the line of what would be considered the norm for usual responses to African American literature." The scope of Harris-Lopez's work is tremendous. From her coverage of noncanonical writers to her analysis of humor in the best-selling The Color Purple, she provides essential material that should inform all future readings of African American literature.
Boys strapped to carpet looms in India, women trafficked into sex slavery across Europe, children born into bondage in Mauritania, and migrants imprisoned at gunpoint in the United States are just a few of the many forms slavery takes in the twenty-first century. There are twenty-seven million slaves alive today, more than at any point in history, and they are found on every continent in the world except Antarctica. To Plead Our Own Cause contains ninety-five narratives by slaves and former slaves from around the globe. Told in the words of slaves themselves, the narratives movingly and eloquently chronicle the horrors of contemporary slavery, the process of becoming free, and the challenges faced by former slaves as they build a life in freedom. An editors' introduction lays out the historical, economic, and political background to modern slavery, the literary tradition of the slave narrative, and a variety of ways we can all help end slavery today. Halting the contemporary slave trade is one of the great human-rights issues of our time. But just as slavery is not over, neither is the will to achieve freedom, "plead" the cause of liberation, and advocate abolition. Putting the slave's voice back at the heart of the abolitionist movement, To Plead Our Own Cause gives occasion for both action and hope.